Fitzwilliam on tour

& F.O.T. academy

We are to make the world more beautiful with our good possibilities.

Fitzwilliam on tour form an interface of different musical currents and projects.

I have always enjoyed dealing with early keyboard music. Certainly the personal preference lies with the organ, but the first piece of music I played solo on a harpsichord was the XX Alman [VII] by an anonymous composer, No. XX in the Fitzwilliam Virginal Book (ca. 1560-1620) as interlude of a concert with polyphonic vocal music of the Renaissance in Dithmarschen, Schleswig-Holstein.

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Platform that deals with the evolution and emancipation of keyboard music in the 16th and 17th centuries with a focus on the Fitzwilliam Virginal Book (approx. 1560-1620), on early Iberian keyboard music, but also on D. Buxtehude and J. Pachelbel.

Fitzwilliam on tour forms an interface between different musical currents and projects. Institutionalization would be a nice goal.

F.o.t. is an opportunity to get to know works by well-known, little-known and anonymous composers.

After all, listening and playing - the extensive preoccupation with this beautiful music - is a lot of fun.

Cordial invitation

ANON. XX. Alman.

from Fitzwilliam Virginal Book

(ca. 1560-1620)

Johann Sebastian Bach


"Christum wir sollen loben schon"

Fughetta. BWV 696. Christmas hymn

François Couperin (1668-1733): Allemande (1716)

L'Art de toucher le clavecin (1716/17)

Dietrich Buxtehude (1637-1707): Auf meinen lieben Gott, BuxWV 179

[Allemande], Double, Courante, Sarabande, Gigue

Girolamo Frescobaldi (1583-1643): Balletto [Primo], Corrente del Balletto, Passachagli

Toccate e partite d'intavolatura,

Libro 1, (1615 | 1637)

Cantzon / F: Töndern

Franz Tunder (1614-67): Canzona in G // Cantzon / F: Töndern

Uppsala University Library Ms Ihre 285

Notes on François Couperin: Allemande (1716)

L'Art de toucher le clavecin (1716/17)

Anmerkungen zu François Couperin: Allemande (1716)

P. de Araújo de 2. Tom

[sobre Susana]

Pedro de Araújo (17th c.):

Obra de 2. Tom sobre Susanne un jour.

Ms 964 BPB, fol. 137v

Joan Baptista Josep Cabanilles (1644-1712): Pasacalles de 1º tono WSC 48 (1722)

ANON. Nowel's Galliard.

[CCXLIV.] from Fitzwilliam Virginal Book (ca. 1560-1620)

J. S. Bach (1685-1750): Vater unser im Himmelreich BWV 737

(Neumeister-Sammlung) um 1704

Bascia Flammignia (XV)

Gagliarda Lombarda (IXX)

Ballo Lombardo (XX)

Johann Pachelbel (1653-1706): "Was Gott tut, das ist wohlgetan"

Choral mit 9 Partiten (1683)

J. Pachelbel: Suite ex D#


I. Allemand. II. Courant. III. Gavott. IV. Saraband. V. Gyque.

Johann Pachelbel: Suite ex B (1683)

I. Allemand II. Courant III. Bourrée IV. Saraband V. Gyque

Samuel Scheidt (1587-1654):

Veni Redemptor gentium,

2. Versus. Choralis in Cantu.

Tabulatura Nova, III. et ultima Pars

Hamburg 1624