Fitzwilliam on tour

We are to make the world more beautiful with our good possibilities.

Fitzwilliam on tour form an interface of different musical currents and projects.

F.o.t.academy can become a scientific extension.

I have always enjoyed dealing with early keyboard music. Certainly the personal preference lies with the organ, but the first piece of music I played solo on a harpsichord was the XX Alman [VII] by an anonymous composer, No. XX in the Fitzwilliam Virginal Book (ca. 1560-1620) as interlude of a concert with polyphonic vocal music of the Renaissance in Dithmarschen, Schleswig-Holstein.

Platform that deals with the evolution and emancipation of keyboard music in the 16th and 17th centuries with a focus on the Fitzwilliam Virginal Book, on early Iberian keyboard music, but also on D. Buxtehude and J. Pachelbel.

Fitzwilliam on tour forms an interface between different musical currents and projects. Institutionalization would be a nice goal.

F.o.t. is an opportunity to get to know works by well-known, little-known and anonymous composers.

After all, listening and playing - the extensive preoccupation with this beautiful music - is a lot of fun.

Cordial invitation


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ANON. XX. Alman.

from Fitzwilliam Virginal Book

O. Gibbons: Lachrymae Pavan

Johann Sebastian Bach: "Christum wir sollen loben schon" BWV 696

François Couperin (1668-1733): Allemande (1716)

Dietrich Buxtehude (1637-1707): "Auf meinen lieben Gott"

BuxWV 179

Girolamo Frescobaldi (1583-1643): Balletto [Primo], Corrente del Balletto, Passachagli

Cantzon / F: Töndern

Notes on François Couperin: Allemande (1716)

P. de Araújo de 2. Tom [sobre Susana]

Joan Baptista Josep Cabanilles Pasacalles de 1º tono WSC 48 (1722)

ANON. Nowel's Galliard. from Fitzwilliam Virginal Book

J. S. Bach (1685-1750): "Vater unser im Himmelreich" BWV 737

Bascia Flammignia (XV)

Gagliarda Lombarda (IXX)

Ballo Lombardo (XX)

Johann Pachelbel (1653-1706): "Was Gott tut, das ist wohlgetan"

Choral mit 9 Partiten (1683)

J. Pachelbel: Suite ex D# (1683)

I. Allemand. II. Courant. III. Gavott. IV. Saraband. V. Gyque.

Johann Pachelbel: Suite ex B (1683)

I. Allemand II. Courant III. Bourrée IV. Saraband V. Gyque

Samuel Scheidt (1587-1654): "Veni Redemptor gentium", 2. Versus. (1624)

Vincent Lübeck jr. (1684–1755): "In Dulci Jubilo", 3 Versi

Scheidt: Helft mir, Gotts Güte preisen | Lobt Gott, ihr Christen all zugleich (1650)