Fitzwilliam on tour

form an interface of different musical currents and projects.

I have always enjoyed dealing with early keyboard music. Certainly the personal preference lies with the organ, but the first piece of music I played solo on a harpsichord was the XX Alman [VII] by an anonymous composer, No. XX in the Fitzwilliam Virginal Book (ca. 1560-1620) as interlude of a concert with polyphonic vocal music of the Renaissance in Dithmarschen, Schleswig-Holstein.

Platform that deals with the evolution and emancipation of keyboard music in the 16th and 17th centuries with a focus on the Fitzwilliam Virginal Book (approx. 1560-1620), and also on early Iberian keyboard music.

Fitzwilliam on tour forms an interface between different musical currents and projects. Institutionalization would be a nice goal.

F.o.t. is an opportunity to get to know works by well-known, little-known and anonymous composers.

After all, listening and playing - the extensive preoccupation with this beautiful music - is a lot of fun.

Cordial invitation