Fitzwilliam on tour
& F.O.T. academy
We are to make the world more beautiful with our good possibilities.
Fitzwilliam on tour form an interface of different musical currents and projects.
I have always enjoyed dealing with early keyboard music. Certainly the personal preference lies with the organ, but the first piece of music I played solo on a harpsichord was the XX Alman [VII] by an anonymous composer, No. XX in the Fitzwilliam Virginal Book (ca. 1560-1620) as interlude of a concert with polyphonic vocal music of the Renaissance in Dithmarschen, Schleswig-Holstein.
Platform that deals with the evolution and emancipation of keyboard music in the 16th and 17th centuries with a focus on the Fitzwilliam Virginal Book (approx. 1560-1620), on early Iberian keyboard music, but also on D. Buxtehude and J. Pachelbel.
Fitzwilliam on tour forms an interface between different musical currents and projects. Institutionalization would be a nice goal.
F.o.t. is an opportunity to get to know works by well-known, little-known and anonymous composers.
After all, listening and playing - the extensive preoccupation with this beautiful music - is a lot of fun.
Cordial invitation
ANON. XX. Alman.
from Fitzwilliam Virginal Book
(ca. 1560-1620)
Johann Sebastian Bach
(1685-1750):
"Christum wir sollen loben schon"
Fughetta. BWV 696. Christmas hymn
François Couperin (1668-1733): Allemande (1716)
L'Art de toucher le clavecin (1716/17)
Dietrich Buxtehude (1637-1707): Auf meinen lieben Gott, BuxWV 179
[Allemande], Double, Courante, Sarabande, Gigue
Girolamo Frescobaldi (1583-1643): Balletto [Primo], Corrente del Balletto, Passachagli
Toccate e partite d'intavolatura,
Libro 1, (1615 | 1637)
Cantzon / F: Töndern
Franz Tunder (1614-67): Canzona in G // Cantzon / F: Töndern
Uppsala University Library Ms Ihre 285Notes on François Couperin: Allemande (1716)
L'Art de toucher le clavecin (1716/17)
Anmerkungen zu François Couperin: Allemande (1716)
P. de Araújo de 2. Tom
[sobre Susana]
Pedro de Araújo (17th c.):
Obra de 2. Tom sobre Susanne un jour.
Ms 964 BPB, fol. 137vJoan Baptista Josep Cabanilles (1644-1712): Pasacalles de 1º tono WSC 48 (1722)
ANON. Nowel's Galliard.
[CCXLIV.] from Fitzwilliam Virginal Book (ca. 1560-1620)
J. S. Bach (1685-1750): Vater unser im Himmelreich BWV 737
(Neumeister-Sammlung) um 1704
Bascia Flammignia (XV)
Gagliarda Lombarda (IXX)
Ballo Lombardo (XX)
Johann Pachelbel (1653-1706): "Was Gott tut, das ist wohlgetan"
Choral mit 9 Partiten (1683)
J. Pachelbel: Suite ex D#
(1683)
I. Allemand. II. Courant. III. Gavott. IV. Saraband. V. Gyque.
Johann Pachelbel: Suite ex B (1683)
I. Allemand II. Courant III. Bourrée IV. Saraband V. Gyque
Samuel Scheidt (1587-1654):
Veni Redemptor gentium,
2. Versus. Choralis in Cantu.
Tabulatura Nova, III. et ultima Pars
Hamburg 1624